![]() ![]() This approach gives her sharp edges for the mountains and hills because the paint stays put and doesn’t spread. This means she does not moisten the paper first but, applies the paint directly to the dry surface. The artist begins the middle ground of the painting by using a wet-on-dry process. You can do this by using an almost dry brush and delicately touching the tip to the paper to lift the paint from the surface onto the brush. To finish the sky, use an approach called “lifting” to take some paint away and add a white crescent moon. This adds atmospheric perspective because the color of the sky is always lightest along the horizon and darkens as it goes farther and farther into outer space. She continues to darken the top of the sky with the Ultramarine Blue, adding touches of Indigo. This adds character for clouds that help set the mood of a night sky. The artist ends at the horizon line with a touch of the Cerulean Blue before beginning to add dabbs of Violet, Lilac, and Indigo. As the colors meld together to create various shades in blues, violets, reds, and oranges, you begin to get the impression of a sunset. Start with the Ultramarine Blue at the very top and work down the page add a row of Cobalt Blue, then Rose, then Gamboge. To get this effect, rows of paint are applied with a large round paintbrush with each new row mixing with the last. This technique is used to create the sky because it looks soft and is transparent enough to make the gradient hues of a real sky. Notice that once a color is applied, it begins to spread across the paper through the water. This is the foundation of a technique known as wet-on-wet. Let’s BeginĪs you can see in the video, you will begin with the sky by washing the area above the horizon line with plain water. To loosen the paint for easier use, add a drop of water to each color. Watercolor comes out of the tube in a thick paste. This arrangement makes it easier to distinguish each color from the others as well as gives you plenty of room for mixing. She keeps all her cool colors (blues) together in a row, all her warm colors (purples and reds) in a row, the light neutral (Gamboge yellow) by itself, dark neutrals (Indigo and Noir) off to the side. Note how the artist in the video squeezes the paint in small amounts, about the size of a pea. ![]() It’s not necessary to put large amounts of paint on the palette. TIP: Use paper that is 90lb (200gsm) or heavier to make sure there is no warping or buckling when it gets wet. After you’re done, the tape comes off easily without tearing the paper, leaving a nice clean finished edge. This also help keeps it from warping so it stays nice and flat for framing. This removable tape adheres the paper to a sturdy service to keep it from moving. Expert Watercolor Pads 9x12” 32 Sheets - Set of 2īefore the artist in the video began her watercolor landscape painting, she used artist tape along the sides of her paper.
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